Yes, Longlegs Is That Scary
To find out about somebody’s style in horror films, I pose a easy query: Do you search guidelines, or vibes? When Freddy Krueger is attacking youngsters of their goals, are you curious about realizing the specifics of how he’s doing that—or do you wish to give your self over to unknowable terror? Italian giallo films are likely to joyfully—and typically incoherently—dispense with plot element, whereas many American slasher movies are sometimes laser-focused on the motivations and strategies of their lethal protagonists.
I’m portray with a broad brush right here, however I used to be particularly struck by the rules-versus-vibes dichotomy when watching Longlegs, a freaky new piece of horror from the director Osgood Perkins. Perkins, a son of the legendary actor Anthony Perkins (finest recognized for enjoying Norman Bates in Psycho), has made a series of fascinating small-budget efforts over the previous decade, together with the boarding-school thriller The Blackcoat’s Daughter and the fantasy movie Gretel & Hansel. However Longlegs is being positioned as a breakthrough by its distributor, Neon, which has rolled out a slick advertising and marketing marketing campaign centered on the movie’s summary, scary imagery—an strategy that helped previous arthouse-horror hits like The Babadook and The Witch.
Although Longlegs has loads of atmospheric scares, it by no means descends into whole surreality, as a substitute charting a path proper between vibes and guidelines. It’s The Silence of the Lambs meets Hereditary, a story of a serial killer who’s being tracked by the FBI that weaves in some satanic panic and inexplicable psychic energy. Its lead character, Agent Lee Harker (performed by Maika Monroe), is a steely and smart younger fed, fashioned within the Clarice Starling mildew. But what intrigues the bureau most about Lee is just not her competency, however the truth that she appears to inherently know the place to search for horrible issues.
The movie opens with a tense set piece demonstrating Lee’s unusual aptitude, which pushes the FBI to assign her to Agent Carter (Blair Underwood). Carter is on the path of a serial killer recognized solely as “Longlegs,” a mysterious determine who, with out ever being current on the crime scenes, appears to affect households into committing ghastly murder-suicides, as a substitute forsaking cryptic notes in Zodiac-style code. A lot of the movie is about on this reliably unsettling world: feds in fits grimly analyzing proof, detachedly flipping by gory homicide pictures, and ignoring their residence lives as they attempt to get contained in the killer’s thoughts.
However from minute one, Perkins hints that there’s extra to Lee’s psychic skills, and that she might need a connection to Longlegs going all the way in which again to her childhood. Perkins isolates her within the body as usually as doable, driving residence what a lonely and curious creature she is, whereas emphasizing the sense of danger encroaching on all sides. Lee lives by herself within the woods in a cabin the place it’s straightforward to think about intruders; exterior the bureau, her solely different human contact is along with her mom, Ruth (Alicia Witt), who speaks in cloying non sequiturs and repeatedly asks if Lee’s been saying her prayers.
All of that is impressively scary stuff. Perkins builds out the environment and aesthetics completely, pushing the viewer into Lee’s nervy mindset and making her work really feel oppressive. As Perkins dials up the paranoia, although, he additionally pushes the precise investigation ahead—and the extra “details” that come into sight, the extra audiences would possibly lose their grasp on Longlegs. The main points of how these nasty issues are taking place is tougher to wrap one’s head round, however most vital, Perkins finally has to ship on the anticipation for Longlegs himself, performed by Nicolas Cage.
[Read: What Nicholas Cage understands about being a movie star]
Although Cage’s title is all around the movie’s promoting, his picture is just not; Perkins and Neon have correctly created an actual air of suspense round what precisely the Oscar winner is as much as because the title character. If something about Cage, the reply may not shock you: He’s doing a complete lot. I received’t go into an excessive amount of element, however the character is broad, theatrical, and visually placing, a swing at making a memorable trendy film monster that relies upon totally on how you’re feeling about Cage cranking the hysterics up 100%.
What I appreciated in regards to the third-act twists, as Lee digs into her affiliation with Longlegs and his modus operandi grows clearer, is how goofy they’re: a burst of vaudevillian glitter thrown onto an in any other case moody, arty work of terrifying tonal management. The sharpness of that swerve could not work for everybody, nor will the shift from pure atmosphere right into a weird effort to clarify every little thing. However relatively than dumping a bunch of inexplicably spooky stuff into the viewers’s lap, Perkins presents a perspective that strikes me as deeply private; with out spoiling issues, there’s a significant clarification for every little thing that’s occurring. Much less is left to the creativeness, nevertheless it turns into apparent that is horror storytelling that has concrete, emotional inspirations, and is worthy of all of the hype.